Liner notes: The year is 1967. Winter, Ulster County in upstate New York, about a two-hour drive from Manhattan. Bob Dylan, recovering from a motorcycle accident, has. Find album reviews, stream songs, credits and award information for Bob Dylan - Bob Dylan on AllMusic - 1962 - Bob Dylan's first album is a lot like the debut. The house of the rising sun Chords by The Animals Learn to play guitar by chord and tabs and use our crd diagrams, transpose the key and more.

The Bootleg Series, Vol. The Basement Tapes Complete. Liner notes: The year is 1. Winter, Ulster County in upstate New York, about a two- hour drive from Manhattan.

Bob Dylan, recovering from a motorcycle accident, has moved his family up to Byrdcliffe, New York, where he is editing a film about his 1. He invites a few members of his touring group (formerly known as The Hawks – soon to be known as The Band) to come help out. Rick Danko, Richard Manuel and Garth Hudson move into a house on 1. Big Pink.” Guitarist Robbie Robertson joins them, also moving nearby. The nascent Band, still on retainer from Dylan’s cancelled tour, begins recording a series of demos with Dylan, first at his house in a den dubbed “The Red Room” and then later that spring in the basement of the big pink house.

Between March and September, Garth Hudson is pressed into action and records nine reels of tape full of new songs – originals, country, folk and rockabilly classics as well as song sketches that will never be completed. For the next year they return to the basement regularly to record - adding and subtracting, refining and discarding. Eventually, former Hawk Levon Helm joins them and adds some distinctive drumming and singing on some final tracks.

Although a lot of music is recorded, none of it is planned for new Dylan releases. His real focus is on creating demos to hand over to his music publishing company so that other artists can record the songs. In the process, the tapes keep running and more reels are recorded – warm- ups and jam sessions never meant to see the light of day. Hudson edits together a 1. Dylan’s publisher. Cover versions come immediately: Peter, Paul & Mary; Ian & Sylvia; Manfred Mann; Julie Driscoll and Brian Auger; The Byrds – all within the first six months.

What Dylan doesn’t imagine is that all these songs create a public demand to hear the originals. As early as 1. 96. Jann Wenner echoes their sentiments in a front- page article in Rolling Stone. By 1. 96. 9, the first bootleg of the modern rock’n’roll age appears, called Great White Wonder; an album compiling selections from the basement recordings as well as tracks that had slipped through the net of Dylan’s career thus far. More bootlegs follow. An underground industry forms around them.

Eventually, in 1. Dylan and The Band cede to demand and release an official Basement Tapes album. Robbie Robertson, along with engineer Rob Fraboni, takes the lead. They collapse Hudson’s original 1. The Band in an attempt to make the recordings sound more like a finished product.

In the end they revamp 1. Dylan. The record is an instant success, topping the charts at number one. But in some ways, this only whets the appetite among a large group of Dylan fans that want to hear everything recorded in that basement. A controversy arises over what the real basement tapes actually are. Is it the released album?

Are there hidden reels? Exactly what do the original recordings sound like? Even more volumes of bootlegs are released. Now, 4. 7 years later, those questions can be answered.

The Basement Tapes Raw represents the best of these recordings. For those interested in going deeper there is the deluxe edition, The Basement Tapes: Complete, which represents every recording that could be salvaged including a number recently discovered from the so- called “Red Room” recordings.

Why release them now? A lot of the credit has to go to Canadian music archivist and producer, Jan Haust. Vineyard Me Derramar Mp3 Download. Jan’s close friendship with Garth Hudson enabled him to rescue these deteriorating tapes and take on the daunting task of restoring them as they are presented here. Everything possible has been done to present the original tapes as they sounded in that basement, so many years ago. The aim was not to make “records,” which Robbie Robertson did so beautifully on the 1.

Columbia Records release, but to accurately represent the music that was captured by Garth Hudson on a reel- to- reel tape recorder during the summer of 1. We hope you keep this in mind while listening to these sometimes rough, sometimes distorted, but always fascinating verit.

Edge of the Ocean(Bob Dylan) One of the first things recorded in the “red room.” You can tell that Garth Hudson is experimenting with the rudimentary recording equipment at hand, in that the first sound heard on the tape is Dylan requesting a playback. Many of the early songs recorded in the “red room” have fluctuating degrees of distortion as well as an odd instrumentation mix consisting of electric piano and tambourine. In the early recordings, both the tambourine and the electric piano are feeding through the vocal mic, creating distortion. My Bucket’s Got a Hole In It(Clarence Williams)Legend has it that “My Bucket’s Got a Hole In It” was written at the turn of the 2. New Orleans trumpet legend Buddy Bolden. This version is credited to bandleader, songwriter and music publisher Clarence Williams. Apparently an early synthesis of a number of traditional songs, including “Midnight Special” and “Keep A- Knockin’,” “My Bucket’s Got a Hole In It” reached number 4 on the Country Charts when Hank Williams released it as a single in 1.

After that, the song became sort of a ground zero for early rock and rollers with many rockabilly versions juicing up the Hank Williams chart hit. Roll on Train(Bob Dylan)Another Dylan original from the “red room” that never quite became a song. It’s a modal blues that doesn’t change chords, calling to mind the Muddy Waters’ classic, “Still a Fool (Two Trains Running).” By this point, Dylan and Robbie Robertson had been playing together for over two years and had developed a form of musical ESP.

Bob picks up a fragment of a melody, emphasizes a rhythm and Robbie is right there with a series of complementary riffs. Blue(Dewayne Blackwell)A number one hit for The Fleetwoods in 1. How To Download Xbox 360 Games Free No Mods Sims on this page. Originally written by Dewayne Blackwell for The Platters, the song spawned many cover versions once The Fleetwoods topped the charts with it. Songwriter Blackwell struck country chart gold again 3. Friends in Low Places,” Garth Brooks’ break out single. Garth himself would record “Mr. Blue” on his second album, No Fences.

Fans of both songs should check out Dewayne’s 1. Dave Frizzell, “I’m Gonna Hire a Wino to Decorate Our Home.”5. Belshazzar(Johnny Cash)A biblical song written by Johnny Cash, recorded for the Sun Records label in 1.

Cash and Dylan’s friendship dates back to the release of Dylan’s Freewheelin’ album. After hearing the album backstage at one of his shows, Cash was moved to write Dylan a note congratulating him on being “the best country singer I’ve heard in years.” Dylan wrote back immediately, telling Johnny he’d been a fan since “I Walk the Line.” They met for the first time at The Gaslight Caf. I Forgot to Remember to Forget(Stan Kesler, Charlie Feathers)Written by Stan Kesler and rockabilly singer, Charlie Feathers, this was Elvis Presley’s first number one hit on the country charts, establishing Presley’s lifelong credentials as a crossover pop and country artist. The “B” side, “Mystery Train” also was a top country hit, reaching number 1.

Interestingly enough, some of the first tracks recorded in the “red room” were original Dylan works in progress. As they became more comfortable with the recording process, the group unleashed an onslaught of genre spanning cover songs, including rhythm and blues, rock and roll, traditional, folk and country.

On this track, along with “Belshazzar,” you can hear the “basement tape” sound falling together. You Win Again(Hank Williams)Another classic from the Hank Williams song book, “You Win Again,” reached number 1. C& W jukebox charts in 1. The guys in the band really don’t have a fix on the song, so the propulsive rhythm is provided by Dylan’s forceful guitar strumming. Dylan began his career playing solo acoustic guitar with an unerring sense of rhythm.

Time and time again on the basement tapes you can hear Dylan leading the way on a 6 or 1.

The Animals . I chose the Alan Price arrangement thinking that it would be the version he played with The Animals, it was NOT. The basic arpeggios are the same, but there is nothing of his improvisation, which for me was the highlight of the entire song, so no more than a two.