Health Insurance Giant Agrees to Record $1. Million Payout Over Data Breach. Holy crap, that is a huge friggin’ payout. Health insurance giant Anthem Inc. That’s a new record, for those of you keeping count. Americans are sick and tired of constantly getting notices about how their social security numbers and credit cards have been compromised. Sure, the company has agreed to pay for credit monitoring for the millions of people affected by the breach—but as anyone whose house has ever burned down can tell you, insurance is not a magic wand.

What are the HEALTH EFFECTS of CO 2 Exposure? Download the free trial version below to get started. Double-click the downloaded file to install the software. After creating your SAM user account, log in to register to do business with the U.S. Ever notice how Christopher Nolan’s movies (Interstellar, Inception, The Prestige) feel like an anxiety attack? Well, maybe that’s overstating things a bit. Tech and Science topics: phones, computers, gadgets, and the Internet, astronomy & earth science, climate & weather, environment & green living and much more.

Anyway, moving on.. Anthem has also agreed to guarantee “a certain level of funding for information security and to implement or maintain numerous specific changes to its data security systems, including encryption of certain information and archiving sensitive data with strict access controls,” according to Cyberscoop. No doubt doing so prior to 2. Most of the money will pay for the aforementioned credit monitoring, although roughly $3. Victims already enrolled in a credit monitoring service (because, let’s face it, who isn’t at this point) may opt to receive a check instead—probably somewhere in the neighborhood of $5. As part of the settlement, Anthem will not formally recognize any wrongdoing on its part, which is pretty standard in these types of deals.

The terms, however, still have to be approved by the San Jose judge presiding over the case, which represents an amalgamation of more than 1. Anthem since the breach. While the Anthem incident was allegedly a hack that didn’t involve any medical records or credit card details, approximately 7. But at least Anthem learned a lesson. Hopefully, others will too.

The Uncanny Sound Illusion That Creates Suspense in Christopher Nolan's Movies. Ever notice how Christopher Nolan’s movies (Interstellar, Inception, The Prestige) feel like an anxiety attack? Well, maybe that’s overstating things a bit. But the director does have a knack for creating an unnerving degree of tension. Turns out he’s using a little bit of musical magic to do it. The magic is actually a science- based audio illusion called a Shepard tone. Named after psychologist Roger Shepard, a pioneer in our understanding of spatial relation, the effect sounds like an infinitely ascending or descending scale.

The tones are constantly moving upwards or downwards, but they never seem to reach a pinnacle or nadir. Winamp Pro V5 5 Serials. This is accomplished by stacking scales on top of each other—typically one treble scale, one midrange, and one bass—with an octave in between, then playing them in a continuous loop.

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A Shepard tone is sometimes referred to as the barber pole of sound. You can even see the similarity, when you hear it and look at the spectrum view of a Shepard tone. Don’t listen to this too long, or you might lose your mind: Anyways, Christopher Nolan just loves this. With longtime collaborator Hans Zimmer, the acclaimed director has used a Shepard tone in almost every one of his films in the last decade. He even writes his scripts to match the effect. In a recent interview, Nolan explained how he used Shepard tones in his newest film, Dunkirk: The screenplay had been written according to musical principals.

There’s an audio illusion, if you will, in music called a “Shepard tone” and with my composer David Julyan on “The Prestige” we explored that and based a lot of the score around that. And it’s an illusion where there’s a continuing ascension of tone. It’s a corkscrew effect. It’s always going up and up and up but it never goes outside of its range. And I wrote the script according to that principle. I interwove the three timelines in such a way that there’s a continual feeling of intensity. Increasing intensity.

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That’s right—12 billion tons. That number is practically impossible to fathom. That’s about 35,000 times heavier than the Empire State building, and about a.

So I wanted to build the music on similar mathematical principals. Knowing this, you gain a deeper understanding of films like Interstellar, Inception, and The Prestige. It also explains why these films seem somehow inconclusive. A Shepard’s tone creates a conflict that can’t be resolved, just like Nolan’s plots.